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Summary Notes on "Teaching Portfolios"
- "A Positive Appraisal," by Peter Seldin, Academe, January-February
2000, pp. 37-44.
- "Another Perspective," by Candace W. Burns, Academe,
January-February 2000, pp. 44-47.
Summarized by James T. P. Yao, 29 January 2000
"Over the past decade, teaching portfolios have emerged as a popular
tool for assessing the educational work of faculty members. How
useful are they? Peter Seldin, a professor of management at Pace
University, champions portfolios, while Candace Burns, a professor
of educational foundations at the University of Arkansas-Little
Rock, questions their effectiveness."
- "A Positive Appraisal," by Peter Seldin, Academe, January-February
2000, pp. 37-44.
"A historic change is taking place in higher education: teaching
is being taken more seriously.
As for faculty, they are being
held accountable, as never before, to provide indisputable evidence
of the quality of their classroom instruction. In the past, the
routine approach to evaluating teaching has relied almost exclusively
on student ratings, perhaps supplemented by a testimonial letter
or two.
The best way I know to get at both the complexity
and the individuality of teaching is the teaching portfolio.
It is a collection of materials that document teaching performance.
It brings together in one place information about a professor's
most significant teaching strengths and accomplishments. The portfolio
is to teaching what lists of publications, grants, and honors are
to research and scholarship.
Just as in a curriculum vitae,
all claims made in the portfolio must be supported by empirical
evidence."
"No single recipe exists for preparing a teaching portfolio.
But from personal review of more than five hundred portfolios prepared
by professors in different academic disciplines and institutions,
I can say that certain items turn up in portfolios with much more
frequency than others. Good portfolios for tenure and promotion
or for teaching improvement usually contain items from three broad
areas: the products of teaching (student learning), materials from
the portfolio creator, and information from others.
"
"
Because the content and organization of portfolios differ
from one professor to another, portfolios used for decisions about
tenure, promotion, or retention usually contain both mandated and
elective items.
Mandated items might include a reflective
statement by a professor on his or her teaching, representative
course syllabi, summaries of student evaluations, and the chair's
assessment of the professor's teaching contribution to the department.
A portfolio written to improve teaching may focus less on
information from others and more on reflective analysis, plan for
the future, and assessment through products of student learning.
"
"Common Questions
How long is the typical portfolio? The typical portfolio
has a narrative of seven to ten pages, followed by a series of appendixes
that document the claims made in the narrative. Often, a three-ring
binder holds the portfolio, and tabs identify the different appendixes.
How much time does it take to prepare a portfolio? Most
faculty members construct their portfolios in twelve to fifteen
hours over several days. Much of the time is spent in thinking,
planning, and gathering the documentation for the appendixes.
Can a portfolio be put together by a professor working alone?
It can be, but this isolated approach has limited potential to contribute
to tenure and promotion decisions or to improve teaching performance.
In practice, the portfolio is best prepared in consultation
with another person.
"
Can an impressive portfolio gloss over weak teaching? Absolutely
not, because the weak teacher cannot document effective teaching
performance.
Why are portfolio models so important to professors preparing
their own portfolios? The models enable them to see how others,
in different disciplines as well as their own, have combined documents
and materials into a coherent whole.
Should administrators develop the portfolio program and then
tell faculty to prepare portfolio? Imposing a portfolio program
on faculty is almost certain to lead to strenuous faculty resistance.
Faculty need to be involved in both developing and running the program.
How does the portfolio differ from the usual end-of-the-year
faculty report to administrators? It differs in several important
ways: (a) the portfolio is not prepared by the faculty member in
isolation, but is based on collaboration; (b) the purpose of the
portfolio determines what is to be included and how it is arranged;
(c) the portfolio empowers faculty to choose documents and materials
that, in their judgment, best reflect their performance as teachers
;
(d) the process of portfolio preparation often stimulates professors
to reflect on why they do what they do as teachers.
"
"Some Recommendations
- Present the portfolio program in a candid, complete, and clear
manner to every faculty member and administrator.
- Be certain that professors have a significant role in developing
and running the portfolio program.
- Involve some of the institution's best teachers, because their
participation attracts other faculty to the program. And involve
some admired teachers who are also prominent researchers, because
their participation will signal the value of portfolios.
- Rely on faculty volunteers. Don't force anyone to participate.
- Obtain top-level administrative support for the portfolio program
and an institutional commitment to provide the necessary resources
to launch it successfully.
- Keep all faculty and relevant administrators informed about
what is going on every step of the way.
- Allow sufficient time - a year or even two - for acceptance
and implementation.
- Allow room for individual differences in portfolios.
- Be sure that all professors know the criteria and standards
by which portfolios will be evaluated.
Many faculty members find that the process of developing
a portfolio stimulates self-improvement. And, perhaps most important,
many colleges and universities find that portfolios help to underscore
teaching as an institutional priority."
- "Another Perspective," by Candace W. Burns, Academe,
January-February 2000, pp. 44-47.
"
Teaching portfolios are a collection of materials meant
to document teaching performance. They typically include statements
by professors about their teaching effectiveness, along with supporting
information, such as sample syllabi, sample student work, student
ratings, and comments from students and colleagues. Unfortunately,
in their zeal to remedy what may or may not be a problem, proponents
of portfolios ignore over twenty years of research into what makes
teaching effective.
"
"Unanswered Questions
First, are the professors who receive 'portfolio training'
randomly selected
or volunteers?
Volunteers tend as
a group to be more motivated toward a particular method than non-volunteers.
Second, do institutions handpick some professors to participate
in teaching reforms? If so, sampling bias may infect the discussion
of reform. Seldin suggests that institutions involve their 'most
respected professors from the start' to gain faculty members' acceptance
for portfolios. More than likely, Seldin has chosen the portfolios
of some these 'respected professors' for his books. Faculty members
who have participated in two other heavily promoted reform projects,
the AAHE's Teaching Initiative, which has encouraged and nurtured
portfolio development, and the Carnegie Foundation's Academy for
the Scholarship of Teaching and Learning (CASTL), have all been
pre-selected. For the AAHE's Teaching Initiative, provosts from
twelve universities selected three departments, which then chose
faculty volunteers. And the Carnegie Foundation's Web site actually
uses the word 'tapped' when referring to the selection of CASTL's
'Carnegie Scholars,' whose mission is to 'advance the practice and
profession of teaching.' According to the Web site, professors are
selected based 'not only on individual qualifications but also on
the need to assemble a group of scholars with
complementary
strengths, interests, and experiences.' One example of a qualifying
experience is prior use of teaching portfolios. The Pew Charitable
Trusts fund the Carnegie Scholars; this same foundation also co-fund
the AAHE's Teaching Initiative. There is a circularity to a reward
structure administered by foundations that provide benefits to people
who buy into certain methodologies, such as teaching portfolios,
and who then cite these projects as examples of the effectiveness
of the methodologies.
"
"Are teaching portfolios time-consuming to construct?
But
even advocates of teaching portfolios admit that preparing them
may require much work. The AAHE's experts explain that 'there's
unlikely to be any simple formula for how much is enough, but further
experimentation might get us closer to a sense of what is sufficient.'
Researchers who have studied the impact of mandatory portfolios
on certain college campuses have expressed concern that constructing
the portfolio itself, rather than improving one's teaching, too
often becomes the focal point.
Obviously, time commitment
to portfolio construction can vary widely, depending on the ground
rules that different campuses use and on the stakes involved. Along
with issues of time, there is the ultimate question whether faculty
and administrators know how to use the data collected in these portfolios.
"
"Given questions such as these, together with the lack of controlled
studies on the effectiveness of portfolios, it seems clear that
faculty and administrators would be better off looking at existing
research before jumping on the portfolio bandwagon.
For new
faculty members, for example, teaching portfolios might be counterproductive.
"
"
Some high-profile education reformers who include teaching
portfolios in the methodologies they advocate have revealed that
they lack confidence in the validity of some of their recommendations.
Lee Shulman and Pat Hutchings of the Carnegie Foundation, for example,
admit that 'there is a large set of issues related to methods and
rules of evidence, and therefore to issues of rigor and credibility.'
Shulman and Hutchings have even gone so far as to raise a
fundamental question, which is, 'Put simply, will this work 'make
it' as scholarship?' I fear, however, that this question is rhetorical.
After all, if they continue to handpick and fund participants who
advance certain methodologies, they themselves are not taking the
rules of scholarship seriously. Meanwhile, faculty members may find
that recommendations from proponents of teaching reform, whom Hutchings
once referred to as 'powerful players,' increasingly find their
way into policies and procedures on campuses. The spread of teaching
portfolios is a compelling case in point."
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